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上海大学学报(社会科学版)

• 影视理论研究 • 上一篇    下一篇

朝花夕拾：再读“为什么好的国产片这样少”的讨论

金冠军,付永春   

  1. 上海大学影视艺术技术学院，上海 200072
  • 收稿日期:2007-05-09 修回日期:1900-01-01 出版日期:2007-09-15 发布日期:2007-09-15
  • 通讯作者: 金冠军

An Old Topic: Why Are Good films So Rare?

JIN Guan-jun,FU Yong-chun   

  1. School of FilmTelevision Arts and Technologies, Shanghai University, Shanghai 200072, China
  • Received:2007-05-09 Revised:1900-01-01 Online:2007-09-15 Published:2007-09-15

摘要： 1956年《文汇报》发起的一系列以“为什么好的国产片这样少？”为题头的讨论文章，特别是钟惦棐先生的《电影的锣鼓》一文对电影问题的批评，其核心议题均涉及到电影的本质是什么的问题。回顾这一讨论的始末，试图探讨当时电影评论所触及的电影艺术本质问题，并对当下电影评论写作提出一点思考。

关键词: 电影批评, 电影本质, 钟惦棐

Abstract: In 1956, Weihui Bao published a series of critical articles that center on the topic of why good films were so rare, among which Zhong Dianfei's Drum of Motion Picture is most striking. All these articles concerned about the artistic nature of films. This essay, by looking back on the discussion, tries to probe into the above issue and makes some suggestion about the current film criticism.

Key words: nature of film, Zhong Dianfei
, discussion

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