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上海大学学报(社会科学版)

• 文学与艺术 • 上一篇    下一篇

画 论 释 疑 七 例

徐建融   

  1. 上海大学美术学院，上海 200444
  • 收稿日期:2007-01-17 修回日期:1900-01-01 出版日期:2007-05-15 发布日期:2007-05-15

Seven Mistakes in the Theory of Painting

XU Jian-rong   

  1. School of Fine Arts, Shanghai University, Shanghai 200444, China
  • Received:2007-01-17 Revised:1900-01-01 Online:2007-05-15 Published:2007-05-15

被引次数

2

摘要： 有必要对中国画史上几个重要的画学论点提出新的解释，因为长期以来对它们所形成的共识，或者是错误的，或者是偏颇的——总之，都不合它们的本意。

关键词: 画论, 山水方滋, 书画同源, 画以形似, 画以人传

Abstract: It is necessary to set right several important viewpoints in the history of the Chinese painting, which, for a long period of time, are either mistaken or prejudiced. In a word, they are not original meanings.

Key words: thriving of landscape painting, same source of calligraphy and painting, alikeness in appearance, alikeness in spirits of persons, theory of painting

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