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上海大学学报(社会科学版)

• 影视理论研究 • 上一篇    下一篇

论陈凯歌影片的意象创造

潘源   

  1. 中国艺术研究院影视研究所，北京 100029
  • 收稿日期:2006-02-13 修回日期:1900-01-01 出版日期:2007-05-15 发布日期:2007-05-15

The Creation of Image in Chen Kai-ge’s Films

PAN Yuan   

  1. Institute of FilmTelevision, Chinese Art Academy, Beijing 100029，China
  • Received:2006-02-13 Revised:1900-01-01 Online:2007-05-15 Published:2007-05-15

摘要： 陈凯歌执导的影片不仅具有精心铸造的叙事话语、声画语言和个性风格韵味，并且运用事物相反相成的规律，反思传统文化和人性，完成影片意象美的创造，体现出主创者在电影创新与审美追求上的起步、腾跃与求索。

关键词: 双项对立, 意象之意, 意象之象

Abstract: Chen Kai-ge’s films not only have elegant narrations, picturesque dialogues and personal styles but also, willingly or unwillingly, follow the concept of the “negator going to his opposite”. He uses the principles of the two things being both opposite and complement to each other and things negating themselves when they reach their limits, and gives a reflection on traditional culture and humanity. Thus he creates the beauty of image, embodying his film innovation and aspiration of aesthetics.

Key words: opposite to each other, philosophical thinking, beauty of image, the negator going to his opposite

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