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上海大学学报(社会科学版)

• 影视理论研究 • 上一篇    下一篇

上海20世纪三四十年代电影的现代性(上)

钱乃荣   

  1. 上海大学文学院，上海 200444
  • 收稿日期:2006-12-09 修回日期:1900-01-01 出版日期:2007-05-15 发布日期:2007-05-15

The Modernity of the Shanghai Cinema in 1930s and 1940s

QIAN Nai-rong   

  1. School of Literal Arts, Shanghai University, Shanghai 200444, China
  • Received:2006-12-09 Revised:1900-01-01 Online:2007-05-15 Published:2007-05-15

被引次数

4

摘要： 通过对20多部影片进行不同程度的重读评议，说明了上海20世纪三四十年代电影佳作迭出，群星灿烂，具有与世界先进文化同步发展的深刻的现代性。

关键词: 20世纪三四十年代, 上海电影, 现代性

Abstract: By reexamining 20 films in varying degrees, this essay accounts for the fact that the Shanghai cinema in 1930s and 1940s has a large quantity of excellent films and wellknown stars. Thus it embodies the deep modernity of keeping a simultaneous development with the world's advanced culture.

Key words: interaction, ethical aspiration, film and TV play, viewing psychology, story

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