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上海大学学报(社会科学版)

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论六朝诗歌的批评与整理在明代中期的兴盛

吴冠文   

  1. 复旦大学古籍研究所
  • 收稿日期:2012-05-20 出版日期:2012-11-15 发布日期:2012-11-15
  • 通讯作者: 吴冠文（1977）， 女，江苏苏州人。复旦大学古籍研究所副研究员，文学博士，主要研究两汉魏晋南北朝文学与中国古代戏曲评点。
  • 作者简介:吴冠文（1977）， 女，江苏苏州人。复旦大学古籍研究所副研究员，文学博士，主要研究两汉魏晋南北朝文学与中国古代戏曲评点。
  • 基金资助:

    教育部古委会资助项目（教古字［2007］024号）

On Flourishing Criticism and Collation of Six Dynasties' Poetry in the Middle Ming Dynasty

WU Guan-wen   

  • Received:2012-05-20 Online:2012-11-15 Published:2012-11-15

被引次数

8

摘要：

六朝诗歌在中国诗歌批评史上的大多数时期被视为另类，相应于较低评价的是作品散佚严重。这种状况在明代中期有了很大改观，出现了肯定性批评和创作上的群众性效仿，嘉靖前后还兴起了编纂六朝诗歌总集的热潮。考察这些新动向并推原其因由，不仅可以呈现文学在明代前期消沉后的复兴，也能为明代中期与经济、思想的演进同步的文学发展提供具体的认知参照。

关键词: 六朝诗歌, 批评, 整理, 明代中期

Abstract:

Six Dynasties poems used to be regarded as alien throughout the history of China s poetry criticism; more unfortunately, many of them were scattered and lost. But such a situation was considerably improved in the middle Ming dynasty. With booming imitation and positive criticism of these poems, a vigorous trend of collecting and collating Six Dynasties' Poetry appeared around Jiajing years. Probing into the underlying reasons for such phenomena, the paper not only describes the renaissance of Six Dynasties' Poetry after long-time depression in the early Ming dynasty but promotes the understanding of literature and culture in the middle Ming dynasty that evolved along with politics, economy and ideology.

Key words: Six Dynasties Poetry, criticism, collation, the middle Ming Dynasty

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