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上海大学学报(社会科学版)

• 影视理论研究 • 上一篇    下一篇

从都市到乡村：当下台湾电影的空间政治学

陈林侠   

  1. 暨南大学新闻与传播学院
  • 收稿日期:2011-11-09 出版日期:2012-03-15 发布日期:2012-03-15
  • 通讯作者: 陈林侠（1972）， 男，四川江油人。暨南大学新闻与传播学院副教授，文学博士，暨南大学海外华文文学与华语传媒研究中心研究员。
  • 作者简介:丁亚平（1961）， 男，江苏大丰人。中国艺术研究院电影电视艺术研究所所长、研究员，博士生导师。
  • 基金资助:

    教育部社科基金资助项目（10YJC760005）；国务院侨务办公室资助项目（GQBY2011031）

From Urban to Rural: the Politics of Space in Current Taiwan Films

  • Received:2011-11-09 Online:2012-03-15 Published:2012-03-15

摘要： 台湾电影在极度惨淡后终于迎来新生，不断刷新票房纪录，成为近年来华语电影的亮点。它以都市危机为切入点，反思与省籍意识相关的岛内空间的布局与规划。“地方感”在电影中得到前所未有的强化，借助“观光经济”的发展，在经济全球化的“再规划”中获得了自身的地位。这种经济的“量变”积累逐渐产生了政治影响，促使地方政治的变局。但是，受限于岛内政治现实，台湾电影始终未能真正成为表达“政治异见”的“小媒介”。

关键词:  台湾电影, 空间政治, 地方感, “小媒介”

Abstract: Slogging through all the bleakness and agony, the Taiwan film finally regains a new life and has becomes a highlight of recent Chinese films. Taking the urban crisis as the breakthrough point, the current Taiwan film reflects on the island layout and space planning which are associated with native Taiwanese consciousness. With the economic development of tourism, the "sense of place" in the movies has been strengthened as never before and obtained a unique position during the "replanning" of globalized economy. Such development of economy has gradually exerted political influence and aroused variation in local political forces. Limited by the island's political reality, however, the Taiwan film has never truly served as "a small medium" to express "political dissent".

Key words: Taiwan films, politics of space, sense of place, "a small medium"

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