2014 Vol.31

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    A Node or an Interface: Crosscultural Misreading
     in Zhang Yimo's Remake of Blood SimpleLaurence Simons
    XI Meng-.Lao-Lun-Shi
    Journal of Shanghai University (Social Science Edition)    2014, 31 (1): 1-11.  
    Abstract1037)            Save
     “Creative misreading” occurs when one culture misunderstands and misuses elements of a different culture when it tries to understand and assimilate something of the source culture. The receiving culture may acquire something new in the process, which is different from or even directly opposite in meaning to that of the original culture. This kind of interaction, from the perspective of cultural exchange and growth, is quite common and of great importance. Creative crosscultural misreading is actually a hallmark of the crosscultural remake of movies, for the interpretation of the “otherness” thus involved is never simply a matter of “translation”. In 2009, Zhang Yimou’s A Woman, a Gun and a Noodle Sho, which is a remake of Blood Simple, a film produced in 1984 by Joel and Ethan Coen, typically reveals the full richness and complexity of crosscultural misreading.
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    A Comparative Study of Early Films in China and South Korea:
     Imagining East Asia in the 1930s on the Silver Screen
    NIE Wei, SHU Jing
    Journal of Shanghai University (Social Science Edition)    2014, 31 (1): 12-20.  
    Abstract3077)            Save
    A number of South Korean films produced in the 1930s were rediscovered since the beginning of the 21st century. These earlier productions are similar to China’s movies of the same period in terms of subject matter, theme and style. They both use this modern artistic medium to explore “antimodernity” themes. By comparing the three representative early Korean movies “Sweet Dream”, “Fisherman’s Fire” and “Military Train”, with China’s early productions, this article explores how East Asia is imagined in the early films from a dual perspective.
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    The Transcendence and Return of Aesthetics
    GAO Jian-Beng
    Journal of Shanghai University (Social Science Edition)    2014, 31 (1): 21-29.  
    Abstract986)            Save
     The transcendence of aesthetics does not seek transcendence beyond this world; instead, it strives to move beyond the limits of traditional aesthetics and to engage real life experiences and larger issues concerning natural environment, ecology, culture and society. It is not to “purify,” but to “mix”. The transcendence of aesthetics is to develop a “mixed aesthetics” instead of dissolving it, though there exist a popular misunderstanding that aesthetics is outdated and should be abandoned. “Mixed aesthetics” represents a transitional stage of aesthetics. In a world that is dominated by consumer culture and flooded with images, both arts and aesthetic tastes are undergoing profound changes. The changing world calls for the return of aesthetics, but this would not be a simple reversion to the old tradition, but rather the creation of a new aesthetics. This new aesthetics is to reinterpret the function of arts, redefine the meaning of aesthetics in life, and to reconstruct aesthetic theories applicable to the natural environment, human society and culture. This paper not only calls for the revival of aesthetics but also tries to describe the current situation and developing trends in this field of study.
     
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    Cosmopolitan Body: Reflections on the Subject of Embodied Cosmopolitanism
    ZHOU Li-Yun
    Journal of Shanghai University (Social Science Edition)    2014, 31 (1): 30-38.  
    Abstract2066)            Save
    In a highly mobile and globalized world, it is significant to rethink cosmopolitanism by first looking into the issue of subjectivity. There exist three versions of cosmopolitanism: the universal cosmopolitanism, the particularized cosmopolitanism, and the critical/reflective cosmopolitanism. They differ mainly in how to treat the other or otherness. Critical/reflective cosmopolitanism is cosmopolitanism in its true sense, and the embodied cosmopolitanism is a new form of it. Embodied cosmopolitanism reflects the unity of globalization and localization. While it acknowledges otherness, it never adopts an absolute stance. The subject of embodied cosmopolitanism is the world citizen whose cosmopolitanism or globalness is achieved through an aesthetic appreciation of difference. Embodied cosmopolitanism means tolerance for otherness and suggests openmindedness, flexibility and adaptability of the embodied subject in a multicultural environment. It also reflects a new ethics, namely, the ethics of embodiment, in a world that is interconnected and mutually dependent.
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    The Function and Structure of the Casefiling Procedure of Civil Proceedings: a Reconsideration
    FU Yu-Lin
    Journal of Shanghai University (Social Science Edition)    2014, 31 (1): 39-53.  
    Abstract1055)            Save
     The casefiling procedure is probably the most disorganized part of China' civil proceeding system. Since the 2012 “Amendments to Civil Procedure Law” was formulated within the old framework, it fails to balance the call for political harmony, the need to ensure the right to appeal, and the demand for greater legal efficiency. The disorganized nature has caused many practical problems and theoretical dilemmas, affecting both the structure and function of the procedure. For example, the mixed review system makes it difficult to determine the starting point of effectiveness of a prosecution; the court prosecution review system often interrupts the pleading and defense process between the prosecutor and the defendant, thus damaging both the right to appeal and the procedure's efficiency; the absence of legal restraints during the period when one has the right or the obligation to defend not only affects the justice of the procedure but also reduces its efficiency; and the difficulties in pretrial mediation works against its overall purpose. Based on the principles and objectives of the new law, through legal interpretation and judiciary reform, efforts could be made to clearly define the lawfiling, pretrial and even prelitigation procedures and then properly connect these stages, so as to ensure the fulfillment of the fundamental objectives.
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    Rectification and Redress: An Inquiry into the Criminal Retrial System
    CHU Dian-Qing
    Journal of Shanghai University (Social Science Edition)    2014, 31 (1): 54-66.  
    Abstract1215)            Save

    (Law School, Beijing University of Aeronautics and Astronautics, Beijing 100191, China)Abstract: The criminal retrial system, whose logical premise is a final decision, becomes legitimized when certain serious defects occur in the original procedure, or when its expected functions fail somehow and meanwhile infringe on other significant values, even though the original procedure develops and is completed in accordance with rules. Therefore, from the perspective of the formal rational theory and the rules of procedure, the functions of criminal retrial system can be categorized into two groups: rectification as to fix the defects in the original procedure, and redress as to help restore the balance of values. Reexamining criminal retrial function orientation in terms of rectification and redress, we might better design and implement the specific institutions of criminal retrial, especially the reopening institution. To resolve the problems in the criminal retrial practice, it is necessary to classify and sort out the reopening reasons and to improve the original procedure, which serves as the premise of retrial.
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    Western Postmodernist Literary Theories and Their Positive Impact in China
    SHU Li-Yuan
    Journal of Shanghai University (Social Science Edition)    2014, 31 (1): 67-90.  
    Abstract1419)            Save
     The western postmodernist literary theories have exerted an inestimable impact on contemporary Chinese literary theories since they were first introduced to China over two decades ago. This impact has both positive and negative sides. While some scholars tend to devalue or simply negate the importance of postmodernist theories, this article aims to focus on their positive impact in China and seeks to demonstrate that these theories have actively contributed to the innovative construction of contemporary Chinese literary theories in the whole course of their critical reception in China. This positive influence is to be demonstrated from five aspects, supported by abundant of empirical materials. Firstly, they have introduced a critical and reflective perspective. Secondly, they have helped to diversify contemporary Chinese literary theories. Thirdly, they have powerfully challenged the metaphysical way of thinking. Fourthly, they have generated a sense of crisis of literature in the postmodern world and triggered the debate on “the end of literature”. Fifthly, the postmodernist ecological criticism has positively contributed to Chinese literary theories. Doubtless, western postmodernist literary theories have something that we can borrow and use for our own purpose, but more importantly this positive impact is due to the fact that Chinese scholars of literary and art theories, with their keen insight and openmindedness, have critically reviewed, assimilated and creatively reworked these theories to make them more relevant to the Chinese context and our own problems and more flexibly adaptable for their own creative construction of Chinese literary and art theories.
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    Wang Yinglin’s Poetics: Textual Features and its Significance in the History of Poetics
    JIANG Yin
    Journal of Shanghai University (Social Science Edition)    2014, 31 (1): 91-98.  
    Abstract1038)            Save
     While generally recognized as a preeminent philologist, Wang Yinglin also distinguished himself in literary studies and is particularly known for his philologyinformed approaches in the study of literary works. Though poetics is not his specialty, his critical practice demonstrates the prevailing trend of poetry criticism of Southern Song Dynasty, which, with its emphasis on the source study of words and allusions, is of the category of broad intertextual inquiry. Wang’s unique contribution to poetics lies in the fact that he has not only provided correct texts and proper interpretation of figures of speech but also offered new understanding of some issues in literary history since as a man of great erudition, he is quick to discern similarities in ancient and contemporary poetic creations. His poetics is elucidated in his book Kunxue Jiwen and has exerted a profound influence on poetry criticism of later generations and particularly inspired the poetics of Qing Dynasty.
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    Criticism of the Hegemony of Instrumental Reason in Surfacing——An Analysis from the Perspective of Space Theory
    WANG Ying-Jun
    Journal of Shanghai University (Social Science Edition)    2014, 31 (1): 99-108.  
    Abstract2427)            Save
     The hegemony of instrumental reason has roots in modern man's excessive worship of knowledge and technical products, and is embodied in the pursuit of absolute technological rationality, which has resulted in the devaluation of human emotion and the alienation of man. From the perspective of postmodern space theory, with the influx of capital, such alienation expands from cities to the countryside and from developed regions to the developing ones, and is manifest in the invasion of the rural space by mechanical civilization. This makes human redemption an important concern of modern age. In her novel Surfacing, Margaret Atwood vividly depicts the expansion of alienation due to the hegemony of instrumental reason and while offering a powerful critique of the hegemony, she also suggests possibilities for human redemption through a return to nature. Hence, Surfacing is to be read not just a work of ecofeminism but as one that has greater relevance to us in a world of globalization.
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    On the Development Model of Trinetworks Integration——A Case Study of Shanghai Based on ActorNetwork Theory
    YUE Yu-Jun
    Journal of Shanghai University (Social Science Edition)    2014, 31 (1): 109-123.  
    Abstract1161)            Save
    2010 witnessed significant development of China’s trinetworks integration. Since then, related technical issues, interests and regulations have drawn much attention from the public and the development mode of trinetworks integration has also become a central issue for discussion and debate among many circles. Based on actornetwork theory, this study of trinetworks integration in Shanghai shows that the city has created a model that combines exogenous and endogenous development, that is, “process controlled by the industrial sector, decision making led by government and selected by industry sectors”. As is demonstrated in the network configuration, the “pseudo replacement” that occurs in Shanghai’s trinetworks integration helps to create well balanced resources pools which foster the development of trinetworks integration. The case study also suggests that it's urgent to develop “toplevel” designing in system and institutions. Besides, the actornetwork theory, if it is to serve as a research paradigm for trinetworks integration, needs to be further developed and refined in order to better address such issues as the segmentation of the internal and external space, the discrimination of endogenous and exogenous factors and the assessment of the size and number of networks as well as the power of the government etc.
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    A Conceptual Analysis of Collaborative Governance
    TIAN Pei-Jie
    Journal of Shanghai University (Social Science Edition)    2014, 31 (1): 124-140.  
    Abstract1397)            Save
    In the past thirty years, multisector collaboration among governments, enterprises, nongovernmental organizations and citizens has been more commonly practiced over the world in order to meet the challenges presented by increasingly complicated social problems and the shortage of government funds. Collaborative governance, as a new field of inquiry, has attracted much attention from western scholars. Recently, as China is trying to reform its social management system, domestic scholars have also started research in this developing trend, often by analyzing western literature related to this phenomenon. However, these scholars seldom refer to the papers on collaborative governance as they are not yet thoroughly familiar with the concept. To make better use of the research results by the western scholars and to pave the way for further study in this area, the author traces the origin and evolution of the concept of collaborative governance in western literature, discusses different definitions by western scholars, compares collaboration governance with some related concepts and then defines collaborative governance in his own way.
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    Chinese Films: Global Vision and Cultural Innovation
    HUANG Shi-Xian
    Journal of Shanghai University (Social Science Edition)    2014, 31 (2): 1-11.  
    Abstract1066)            Save
     In the past three or five years, as the Chinese film entered a golden age of development in the market of mainland China, the industry has been caught up in a frenzy of GDPworship at the cost of the films′cultural values. GDP is taken as the only benchmark for success and the primary consideration in the film market, which inevitably betrays the essential nature of film as a cultural and art form. This gives rise to a structural crisis in Chinese films and the industry as a whole. In a“postfusion period,”Chinese film communities and the industry should maintain their cultural vitality, foster what is new and culturally positive, cast away the hackneyed and the debased and thus reinvigorate themselves by adopting a proactive global vision and by encouraging innovative initiatives. It is advisable to once again aggregate positive cultural energy from various regions, including mainland China, Hong Kong, Macau and overseas Chinese communities. Hence, the national and the modern will meet, and the humanistic spirit of the Chinese people is to be fused with the universal values of all man.
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    “High Concept”Movies and China’s blockbusters
    ZHOU Hua-Lin
    Journal of Shanghai University (Social Science Edition)    2014, 31 (2): 12-21.  
    Abstract1214)            Save
     In the 21st century, Chinese film production has been increasing year by year, and the box office continues to rise. China has emerged as one of the leading players in the global market of filmmaking, which owes a lot to the domestically produced “blockbusters”. But are they really the panacea that would prevent China's film industry from being completely annexed by Hollywood movies? Based on textual analysis, this paper is to compare“Saving Private Ryan”(1998), a“high concept”Hollywood movie, and China’s blockbuster“Flowers of War”(2011) in terms of aesthetic styles and narrative strategies in the hope of providing some useful insights and reflections on this issue. The paper argues that with Hollywood movies becoming threateningly ambitious and coveting, China’s film industry, if it is to really break into the global film market, has to seriously work out the balance of the local and the global (concerning subject matters and themes) and the simple and the complex (concerning narrative strategies and aesthetic features).
     
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    Ang Lee’s Reshaping of Life of Pi with Chinese Religious Spirit
    FAN Re-En, HUANG Ying
    Journal of Shanghai University (Social Science Edition)    2014, 31 (2): 22-29.  
    Abstract1714)            Save
    The English novel Life of Pi exhibits an intertextual borrowing from western religious and literary canons, in terms of its motif, plots and structure. The novel has also inherited from these sources a sense of spiritual uncertainty and an implicit skepticism of religious faith in God or any gods, a skepticism that renders the two storylines—the coexistence of a man and a tiger, and the character’s survival through the practice of cannibalism—highly conflicting and hard to reconcile. As he himself is strongly influenced by traditional Chinese Taoism and Buddhism, Ang Lee has incorporated in his interpretation of the novel and the production of the film a Chinese religious sensitivity to the mutability or nothingness (Xu Kong) of all things in the world. The subtle infusion of the Chinese spirit of“Xu Kong”helps to guide the protagonist through his religious crisis to a comprehension of the higher and greater truth, and hence to his own spiritual redemption. On the textual level, the protagonist’s epiphany also brings together and reconciles, in a subtle way, the two radically conflicting stories in the original text. Hence, the movie achieves unity and organic wholeness through this Chinese perspective.
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    On the Composition of The Bear and Faulkner’s Ecological Ethics
    SHU Zhen-Wu, SHU Xiao-E
    Journal of Shanghai University (Social Science Edition)    2014, 31 (2): 30-43.  
    Abstract2057)            Save
     Noticeably, William Faulkner has reworked many of his earlier published short stories, developing them into longer and more complex pieces, a phenomenon that deserves critical attention. Based on a short story of the same title, the novelette The Bear extensively revises and expands the original and thus achieves much greater thematic significance and depth of meanings. A comparison of the two versions not only sheds light on Faulkner’s creation motives but also reveals how his thoughts change and develop as is evident in the numerous textual differences. In the novelette, Faulkner sees wilderness and civilization in terms of binary opposition, defining one as morally good and the other as negative, and based on this binary pair, he explores possible remedies for racial and ecological crisis in the American South. The novelette fully expresses the author’s profound humanistic concerns and deep reflections on ecological ethics.
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    On the Connotation and Reinterpretation of a NeoConfucianDoctrine:“Observing Nature and Understanding the Manifestationsof Its Lifegiving Principle”
    WANG Pei-You
    Journal of Shanghai University (Social Science Edition)    2014, 31 (2): 44-53.  
    Abstract1456)            Save
     The doctrine“observing nature and understanding the manifestations of its lifegiving principle”was derived from the cultural tradition of “abstracting forms from nature observing”and has acquired diverse cultural connotations due to its potential as a unifying principle.“Observing”is both a means and an end itself, with its basic essence and function developed from the Confucian instead of Buddhist concept of“observing”. The concepts of “lifegiving”and“manifestations”as well as the whole idea of“observing nature and understanding the manifestations of its lifegiving principle”have gradually emerged and developed in the history of NeoConfucianism. Based on the ideas developed by Shao Yong and Zhou Dunyi, Cheng Hao and his younger brother Cheng Yi, often referred to as“the two Chengs”by later Confucians, offered a more comprehensive treatment of this doctrine, elaborating on its“essence”,“function”and“law”. Zhu Xi concentrated on the essence, function and their relationship and explored the doctrine's implications in a more systematic manner. His philosophical interpretation includes more specific concerns and also introduces a transcendental dimension. Eventually, the NeoConfucian doctrine has acquired important cultural values as it unifies the natural and ethical world in terms of essence and function.
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    Textual Criticism on the Compilation and Editions of Wang Shizhen’s Yan Zhou Shan Ren Xu Gao
    WEI Hong-Yuan
    Journal of Shanghai University (Social Science Edition)    2014, 31 (2): 54-65.  
    Abstract889)            Save
     Wang Shizhen, a renowned poet, historian and scholar of the Ming Dynasty, distinguished himself in literature, history, calligraphy, painting, Buddhism and Taosim, studies of inscriptional bronze and stone, and landscape gardening. His works are mostly collected in the history and anthology sections. The Collection from Mountain Villa of Yanzhou, The Four Manuscripts of Yanzhou, and The Sequel to the Manuscript by the Mountain Man of Yanzhou (Pinyin: Yan Zhou Shan Ren Xu Gao) are the most important works in his complete collection. Yan Zhou Shan Ren Xu Gao, the latest one to be blockprinted, has more volumes than any of his other works and enjoys the most prominent position in Wang’s canon. To collate and sort out his complete works, a fundamental undertaking is to investigate the compilation and editions of Wang’s Yan Zhou Shan Ren Xu Gao. Before his death, Wang Shizhen had already put the work in a manuscript form, but was unable to have it blockprinted due to the shortage of money. Later, because of the descendants’neglect, over twenty volumes of the work was lost when it was first inscribed in the 27th year of the Emperor Wanli, or the year of 1599. Fortunately, 11 of the lost volumes were rediscovered and added to the book as the“Fuji”(Attachments). The Yan Zhou Shan Ren Xu Gao has several editions, including the Mingdynasty handcopied edition, the Mingdynasty blockprinted edition, and the Qingdynasty handcopied edition. The Ming dynasty blockprinted edition includes the first printings and later printings. A voluminous work, the Yan Zhou Shan Ren Xu Gao has been compiled by many people and has a complicated edition pedigree; understandably, there exist such errors as repeatedly collected texts, missing texts and erroneous collation.
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    Problemoriented Research and Integrated Innovation——Overview of the Frontier Issues of Theory of Literature and Art in 2013
    TUN Zi-Lin, CHEN Gao-Wen
    Journal of Shanghai University (Social Science Edition)    2014, 31 (2): 66-78.  
    Abstract1315)            Save
     As a branch of literary studies, studies in the theory of literature and art have always been in the vanguard of the theoretic frontier. In the“posttheory”era, researching of the frontier issues of theory of literature and art in 2013 has addressed actual questions in China, effectively“intervened”in the real world, and achieved certain progress or breakthroughs in this field, which all demonstrate the strong momentum for continued development and innovation of literary studies in China.
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    On Gadamer’s Reflection on the Ontology of Vision
    GAO Yan
    Journal of Shanghai University (Social Science Edition)    2014, 31 (2): 79-92.  
    Abstract729)            Save
    The valorization of a single determinacy and the dualistic mode of thinking have made vision a visualized expression of the Western metaphysical tradition. Gadamer deconstructs visual centrism in traditional metaphysics and then constructs an ontology of vision in the tradition of hermeneutics, by which he explores and investigates into the truth of existence. Gadamer interprets visual observation on the basis of how the object affects the existence of the subject in the act of seeing and perceiving, and constructs his ontology of vision through a detailed explication of the concept of“play”. He undermines the subject/object opposition and questions the privileged status of the subject. Thus, in his philosophical system, visual observation turns upon itself and acquires an ontological status. Hence, Gadamer’s ontology of vision might guide the individuals lost in the darkness of the world to a reaffirmation of the autonomous and selfsufficient state of human existence.
     
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    Promoting Incentive Law Studies and Perfecting China’s Legal System
    NI Zheng-Mao
    Journal of Shanghai University (Social Science Edition)    2014, 31 (2): 93-102.  
    Abstract772)            Save
     The history of law is also a history of human liberation. Human laws are used not only to organize, administrate and punish, but also to stimulate and incite. Unlike western thinkers, ancient Chinese thinkers have always attached great importance to the law’s motivating and inciting power, which is a major difference between western and China’s ancient legal systems. This difference might be in part responsible for China’s role as a leading economic, cultural and military power in the ancient world. Since the modern times, western countries, especially the United States, have all recognized and been benefiting from the inciting power of such laws as the intellectual property right. Looking into the six issues regarding incentive legal culture and promoting incentive law studies will be a crucial step towards perfecting China's legal system.
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    Online Copyright Infringement: An Empirical Analysis and Judicial Response——An analysis based on 100 online copyright infringement cases
    XU Zhi-Jiang
    Journal of Shanghai University (Social Science Edition)    2014, 31 (2): 103-115.  
    Abstract1178)            Save
     An analysis of the 100 online copyright infringement cases reveals that China has steadily intensified punishment on criminal copyright infringements by means of both policy making and legal mechanisms. As demonstrated by these cases, such infringements are diversified. In the judicial practice, emphasis is laid on punishing crime jointly; it is no longer a technical problem to determine whether the use made of a work in any particular case is for commercial purpose; fines are more readily applicable for these infringements; efforts have been made to mitigate punishment. The analysis also shows that there are a number of issues to be addressed. For example, crimes committed by a unit are sometimes overlooked; accessories are seldom punished; and crimes committed in the mobile network largely go unpunished. The paper suggests that efforts should be made to discourage the“campaignstyle justice”and“selective justice”in China’s legal protection of copyright and it also proposes an overall strategy of“positive action”in legislation and“prudent balance”in the judiciary.
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    Approuches to the Functions of Translation
    FU Jing-Min
    Journal of Shanghai University (Social Science Edition)    2014, 31 (2): 116-125.  
    Abstract996)            Save
     One of the key aspects of translation studies lies in the research of the translation function. Various as translation elements are, the core elements consists of  translation practice, translation theories, and translators. The functions of translation go along translation purposes; translation theory contributes to translation studies as well as other social studies; and the translator exerts his/her function in the conflicts of his/her idiosyncrasies and relevant elements.
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    A European Perspective on University Teachers’Remuneration: the Cases of Switzerland, Sweden and Finland
    WANG Yang-Li, WU Li-Ji-Tu
    Journal of Shanghai University (Social Science Edition)    2014, 31 (2): 116-140.  
    Abstract969)            Save
    An important issue for higher education today is to establish and perfect the university teachers’payment system so as to improve the quality of education and the effectiveness of administration and management in colleges and universities. EHEA/ERA countries have developed different remuneration models in education reform. Switzerland abandoned the traditional rigid pay system which remunerates the employees on the pay scales determined by their respective ranks and the length of time in service and adopted a New Salary System with a payment structure that fosters the development of both organizations and individuals through enhanced market competitiveness and a nurturing work environment as well as organizational culture. To attract, cultivate and retain outstanding teachers, Sweden switched from fixed pay grades to an individualized remuneration system—Swedish Individual Pay Bargaining, which creates a friendly human resource environment for recruiting high quality university teachers. Finnish new UPJ salary system has laid a solid foundation for enhancing the competitiveness and leadership of colleges and universities and accelerating the development of higher education. Although there does not exist a universal model, nor a readymade one, the payment systems and models developed by these countries will be useful for us in regulating remuneration governance, building a highquality faculty team and promoting scientific and technological competitiveness at a global level.
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    Journal of Shanghai University (Social Science Edition)    2014, 31 (3): 1-.  
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    Journal of Shanghai University (Social Science Edition)    2014, 31 (3): 105-.  
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    Journal of Shanghai University (Social Science Edition)    2014, 31 (3): 115-.  
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    Journal of Shanghai University (Social Science Edition)    2014, 31 (3): 126-.  
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    SUN Chao-Yi
    Journal of Shanghai University (Social Science Edition)    2014, 31 (4): 1-12.  
    Abstract815)            Save
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    CHEN Xu-Guang, HAO Zhe
    Journal of Shanghai University (Social Science Edition)    2014, 31 (4): 13-23.  
    Abstract651)            Save
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    SUN Shao-Hua
    Journal of Shanghai University (Social Science Edition)    2014, 31 (4): 24-34.  
    Abstract676)            Save
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    HE Shi-Hai
    Journal of Shanghai University (Social Science Edition)    2014, 31 (4): 35-44.  
    Abstract571)            Save
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    CA Jin-Fang
    Journal of Shanghai University (Social Science Edition)    2014, 31 (4): 45-56.  
    Abstract501)            Save
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