| [1] |
GUI Lin.
Genre Film Studies in the Era of Media and Technology: Review and Commentary on Thomas Elsaesser’s Mind-Game Film Research
[J]. Journal of Shanghai University (Social Science Edition), 2023, 40(5): 46-56.
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| [2] |
GUI Lin.
The Genre Film as the Synthesis of Synchronic System and Diachronic Process—Investigating the Formation of the Classical Research Approach to Western Genre Films
[J]. Journal of Shanghai University (Social Science Edition), 2022, 39(2): 45-55.
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| [3] |
CHEN Yu.
On the Feeling Structure of Film Suspense
[J]. Journal of Shanghai University (Social Science Edition), 2013, 30(2): 22-31.
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| [4] |
HUANG Shi-xian.
Humanistic Affinity and Cultural Character of Hou HsiaoHsien' s Movie Works
——Also on the Rise and Humanistic Features of Taiwan "New Movies"
[J]. Journal of Shanghai University (Social Science Edition), 2013, 30(2): 1-10.
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| [5] |
LAN Fan.
On the Industrial Logic of Film as Art
[J]. Journal of Shanghai University (Social Science Edition), 2013, 30(2): 11-21.
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| [6] |
RAO Shu-Guang.
Films and National Image: Industry, Culture and Aesthetics
[J]. Journal of Shanghai University (Social Science Edition), 2012, 29(5): 16-30.
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| [7] |
LI Xian-Jie.
Vision and Feelings #br#
——A Comparison of Narrative Space and Discourse Pattern Between Chinese and Foreign Blockbusters from A Global Perspective
[J]. Journal of Shanghai University (Social Science Edition), 2012, 29(5): 31-44.
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| [8] |
XUE Feng.
"Three Movies" and Movie Criticism Methodology in Contemporary China
[J]. Journal of Shanghai University (Social Science Edition), 2012, 29(5): 45-56.
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| [9] |
.
Mainstreaming in Chinese Films and Massification of Mainstream Films:Culture, Aesthetics and Limit
[J]. Journal of Shanghai University (Social Science Edition), 2012, 29(4): 12-21.
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| [10] |
.
Microfilms: Changes, Chances and Challenges
[J]. Journal of Shanghai University (Social Science Edition), 2012, 29(4): 31-38.
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| [11] |
SUN Chao-Yi.
Redefining Cinema: The Embodied Experience and Phenomenology of Film
[J]. Journal of Shanghai University (Social Science Edition), 2012, 29(3): 17-30.
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| [12] |
CHEN Xi-He, TAN Jie.
A Literature Review on Cantonese Film Studies in Hong Kong
[J]. Journal of Shanghai University (Social Science Edition), 2012, 29(3): 31-46.
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| [13] |
JI Wei.
History of Chinese Cinema: Its Conception and Related Issues
——A Historical Perspective of Film Studies
[J]. Journal of Shanghai University (Social Science Edition), 2012, 29(3): 47-55.
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| [14] |
CHENG Bei, XIN Tie-Gang.
The Condensation and Displacement in Film Rhetoric
——Also Comment on the Foundation of Psychoanalysis Semantics in Metz' s Film Semiotics
[J]. Journal of Shanghai University (Social Science Edition), 2011, 18(6): 49-57.
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| [15] |
LI Xian-Jie.
Space and Transcending
——The Genre Characteristics and Narrative
Turn of Hollywood Films at the Age of Globalization
[J]. Journal of Shanghai University (Social Science Edition), 2011, 18(6): 22-35.
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