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The Real Existence of the Suspect X: The Philosophy in the #br#
Film The Dedication of the Suspect X
[J]. Journal of Shanghai University (Social Science Edition), 2018, 35(1): 60-71.
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[2] |
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On Crises and Choices Chinese Films Face in the 21st Century
[J]. Journal of Shanghai University (Social Science Edition), 2012, 29(2): 15-31.
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[3] |
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The Philosophical Basis of Marxist Aesthetics and Its Understanding of the Time——An Argument about the Debate on the "Aesthetics of Practical Existence"
[J]. Journal of Shanghai University (Social Science Edition), 2010, 17(1): 88-106.
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[4] |
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The Reflection and Choice of the Development in China' s Current Criminology Ontology
[J]. Journal of Shanghai University (Social Science Edition), 2010, 17(1): 123-134.
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[5] |
YANG Dun-Lei.
The Orientalist Discourse in Oversea Research for China' s Film
——Taking as the Study Case the Oversea Scholars'
Documental Analysis in Research for Xie Jin' s Films
[J]. Journal of Shanghai University (Social Science Edition), 2010, 17(05): 61-69.
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[6] |
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An Analysis of the Ontology of Practical
Existential Aesthetics and Literary Theories
——Centering on the Relation Between Practice and Existentialism
[J]. Journal of Shanghai University (Social Science Edition), 2009, 16(3): 37-50.
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[7] |
CHEN Bao-zhong;CAI Ai-ping.
The Route Choice of the Administrative Mode of Law Enforcement
[J]. Journal of Shanghai University (Social Science Edition), 2007, 14(5): 126-132 .
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[8] |
XU Wen li.
The Research and Reflection on Several Issues over Corporation Merging
[J]. Journal of Shanghai University (Social Science Edition), 2007, 14(2): 108-112 .
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