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Rethinking the Cultural Degeneration of Chinese Film Industry under the Internet “New Format”
[J]. Journal of Shanghai University (Social Science Edition), 2015, 32(6): 40-51.
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Commentaries on “未足与议也” in The Analects of Confucius
[J]. Journal of Shanghai University (Social Science Edition), 2015, 32(6): 73-82.
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A Comparative Study of the Performance of the Different Channels of China’s High tech Industry Innovation——Based on the Assessment by Sys-GMM and Quantile Regression Models
[J]. Journal of Shanghai University (Social Science Edition), 2015, 32(6): 83-92.
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ZHANG Jian.
Situational Poetics: Another Route to Understanding Modern Poetry
[J]. Journal of Shanghai University (Social Science Edition), 2015, 32(1): 92-101.
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ZHOU Jian-Zhi.
On “Circumstanceoriented Theory” in Classical Poetics
[J]. Journal of Shanghai University (Social Science Edition), 2015, 32(1): 103-113.
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WANG Tie-Yang.
On Several Questions Regarding Seizing the Two Opportunities of Political Reform
[J]. Journal of Shanghai University (Social Science Edition), 2014, 31(6): 12-21.
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ZHANG Hui.
Mass Culture and Social Revolution: in Defence of John Fiske
[J]. Journal of Shanghai University (Social Science Edition), 2014, 31(5): 53-63.
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DIAO Wei-Fang, ZHANG Wen-Yan.
On the Contribution of Hong Kong’s Leftwing Film Group between the 1960s and 1970s
[J]. Journal of Shanghai University (Social Science Edition), 2014, 31(5): 1-11.
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TAN Ji.
Local Film Research in Hong Kong Over the First Half of the 20th Century
[J]. Journal of Shanghai University (Social Science Edition), 2014, 31(5): 29-41.
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YANG Lian-Xiu.
An Empirical Analysis of Factors Influencing the Minimum Wage Standard——Taking Shanghai as an Example
[J]. Journal of Shanghai University (Social Science Edition), 2014, 31(5): 91-102.
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YI Xu-Meng.
Dynamics and Mechanisms of the Institutional Change in China′s Media Industry——A Case Study of TV Industry
[J]. Journal of Shanghai University (Social Science Edition), 2014, 31(5): 128-140.
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NIE Wei, SHU Jing.
A Comparative Study of Early Films in China and South Korea:
Imagining East Asia in the 1930s on the Silver Screen
[J]. Journal of Shanghai University (Social Science Edition), 2014, 31(1): 12-20.
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GAO Jian-Beng.
The Transcendence and Return of Aesthetics
[J]. Journal of Shanghai University (Social Science Edition), 2014, 31(1): 21-29.
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XI Meng-.Lao-Lun-Shi.
A Node or an Interface: Crosscultural Misreading
in Zhang Yimo's Remake of Blood SimpleLaurence Simons
[J]. Journal of Shanghai University (Social Science Edition), 2014, 31(1): 1-11.
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Media Studies In Context of Postmodernity
——The Inspiration of David Morley’s Media Theory on China’s Media and Cultural Studies
[J]. Journal of Shanghai University (Social Science Edition), 2013, 30(5): 128-140.
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