Abstract: In the history of visual art ranging from classical painting to mechanically copied images, landscape is a consistent theme. In addition, it defines itself as the visual mode of natural consciousness in both physical and symbolic way. Landscapes in the digital age, represented more as trans-media images, are constantly integrated into reality while transforming reality. Landscape has gone beyond the function of “representation”or“characterization”as a media in communication, thus creating a new visual and spatial form. Moreover, in pursuing“perceptual realism”“, spectacle”digital landscape has destroyed the“indexity”of mechanically reproduced photographs, and in presenting a“perceptual realism”by mixing what is true and what is false, it constantly reconstructs people’s cognitive and aesthetic experience.

Key words: digital, landscape, media generation, aesthetic reconstruction